SitStayCreate

Voices

Oscillator
Filter

Amplifier

Envelope
Main

Effects

DRD-01

subtractive stylosynth

"Finally, a large part of my goal in pursuing these questions could be labeled my “aesthetic” motivation: music produced by computers falls overwhelmingly into either “too much rhythmic regularity”: strictly metronomic, highly repetitive electronic dance music; or “not enough rhythmic regularity”: essentially all “Computer Music” coming out of the academic Western art music tradition, where either large amorphous masses of sound lack all sense of articulation, or event onsets are so irregular as to eschew any sense of pulse. I believe that both extremes give up one of the important avenues of musical expression, hence my desire to develop better computer tools." Matthew Wright - The Shape of an Instant: Measuring and Modeling Perceptual Attack Time with Probability Density Functions (If a Tree Falls in the Forest, When Did 57 People Hear It Make A Sound?)